I am so honored to be participating with Natalia and Ken on
this project. They both bring so much wisdom and spirit to their work, and just
being around them, I am growing more creative by the minute. For the past many
years, I have been studying cello at various institutions across the United States.
There has always been the same goal, which Dr. Epperson sums up as beauty of
tone, quality of intonation, and ease of execution. That is it. I play a bunch
of music cellists know and love, and I am about 82 percent at it.
But it is time for a change, and it time for me to start
flexing my creative muscle, which is something that feels atrophied and only
slightly developed while I was studying at the University of Maryland. It is
time for me to stop giving a shit about other cellists, and string players, and
conductors, and “jobs.” It is time for me to relearn bass and guitar, and metal
and the blues. It is time for my love of music to come full circle, and for me
to start creating music again that is new, and to share the experience with
others.
So how do different artists interface? How do they communicate?
What does it mean to be on the same level—how do they resonate? What is the
simple input and output of artists, and what signals do they send to each other
and to the world outside of art?
I’d like to make art and music useful again in my life, and currently
I give no shits about playing another concert piece by David Popper and
audition for another puppet orchestra. Although all my formal education has
taught me this, I am blessed that Ken and Natalia are teaching me the real
world again.
This is my artistic rebirth.
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